Continuing my reflections on Zenkai, I remember the Arabic word "Sumud" and the prickly-pear cactus (whose Arabic name is also a word for patience). As I write, I return to the blog's beginning and title, "Reverse Exiled", to reflect on the long road which ultimately led to the strength and peace needed to move forward. In between, a brief and precious "apricot season" came into my life and was lost.
I called truck #212221 'Desirae'. Google tells me this is a French name for "the one desired". I found a poster of Ray Lewis propped against a pump-canister in the back of the flat-faced Isuzu my manager assigned to me: perhaps a desire but even more a discovery. "I'll call you 'Rae-Rae'-- short for Desirae."… Continue reading Halloween Day: My Truck, My Tablet, and a Pink House
On Halloween Day I departed from the IHOP in Olney, MD in a daze. To lessen the likelihood of mowing-down trick-or-treaters with our fleet of half-blind utility trucks, our assigned work orders were lighter that day. I had spent the morning disguised as a lawn technician, and employed as one this past Autumn, but never shed… Continue reading Halloween Day: The Costumed Clerk and a Plastic Trumpet
Olaf is 'fully character' and 'fully symbol' from the moment that Anna, Christoph, and Sven hear his voice. Elsa's dormant playfulness is awake -- and much more. The preceding animation features panoramic, crystalline winter beauty -- frozen waterfalls, glitter encrusted willows -- causing Anna to declare "I never knew that winter could be so beautiful." Olaf enters with vivid color suggestions; his antics are rife with comic relief, gags only a snowman could complete, and his song about summer seems to be part of the fun. "I don't know why," says Olaf, "but I've always loved the idea of SUMMER and SUN and all things HOT--" Theatrical improvisers relish 'games' like this one: his character- deal is to obtain something fatal to only him! We're treated to some quality comedy as Olaf's solo absorbs us into a jump-cut-montage of warm environs where snowmen would perish; hilarious! Though it would be an excellent throwaway sequence, Olaf's role in the rest of the movie leads me to believe that his summer-time aspirations are thematically key.
Like many of us, Anna thought she could break her lonesome "spell" with a romance, unaware of the antecedent spell in her family. Elsa was correct: "You can't marry a man you just met." Yet I want to defend Anna's initiative: she was outside the gate. Hans didn't come 'calling', she found him while in town, exploring. Unfairly, their parents died unexpectedly and Elsa's reticence took away opportunities for sisterly mentoring. Anna committed a mistake but at least she wasn't paralyzed. Throughout the entire film, Anna takes action: she is on the heroine arc! Anna is the one who seizes Elsa's glove, precipitating the advent of Elsa's full power and an instant winter. The results are terrible, terrifying, and ultimately terrific (see that?). Falling for Hans is part of Anna's heroine arc and key to plot development-- heroines commit blunders, whereas inert princesses are perfect... ly helpless. Anna is our beloved heroine because she is one of us blunderers!
"This is it," I whispered as my 2005 Pontiac Sunfire lost traction, sledding past the edge of the sloping curve, down a snow-swamped bank, and into an inescapable pocket next to a stump. My luck made itself known immediately: an officer from the county jail found me and let my chat with him in his… Continue reading Red Car versus Cold Blues
He left when he heard I was graduating. I wanted to follow him into the hallway and plead that I could drop my capstone class and hang around for another year but too many pieces of me were invested in matriculating. I wished him a good day and listened to the door shut behind him.… Continue reading Smashed Pear (entry fragment)
